So, I saw Wonder Woman for the second time the other night. Because there have been a ton of reviews already and I'm not sure if anyone would care to read it if I wrote one, this is more a list of things I found AWESOMELY COOL about it.
Themyscira
I want to live on a beautiful island that frees me from the patriarchy and where Robin Wright teaches me how to be a badass. Also, the wildlife! The cow that witnesses Diana's jump across the valley to retrieve her weapons amused me, and I loved the goat watching teenage Diana spar with Antiope, but my favorite were the white peacocks.
Diana's relationship with Hippolyta
One thing I dislike is when writers confuse 'fighting' with 'conflict.' They end up writing shouting matches and physical violence when conflict can be shown in other ways. So when Hippolyta found Diana and Steve before they left the island, I braced myself for something similar. And when it didn't, I knew I was in good hands. Instead of a shouting match or even an actual, physical fight, Hippolyta wants to know if Diana knows what she's getting into and then says, "You have been my greatest love. Today, you are my greatest sorrow." The moment beautifully encapsulates their mother/daughter relationship. Hippolyta knows she can't keep Diana on Themyscira because she's meant for greater things, but she also can't and won't hide her heartbreak at the prospect of losing her.
Diana's relationship with Antiope
First of all, Antiope's amazing. I need all kinds of Antiope backstory. I need to know everything about her, especially her years mentoring Diana because we only get a glimpse of it in the film even though it's such a formative relationship. And it's important to depict that relationships between women can be supportive and nurturing.
Etta
I wish there had been way more screen time for Etta, but what we got was pretty amazing. She's funny and welcomes Diana immediately, and she delivers the most meta line that takes a shot at a well-worn trope: "Specs. Suddenly she's not the most beautiful woman you've ever seen." This movie is filled with rich little moments, and all of Etta's are completely endearing, especially the one where she just rolls with Diana entrusting her with her sword and shield. I respectfully request of Patty Jenkins a sequel set in the roaring 1920s with Diana and Etta tearing down gender expectations while saving the world.
No Man's Land
As far as I'm concerned, this sequence is iconic. It is the bar by which I will judge every superhero movie from now on, and it's made even better by Rupert Gregson-Williams's score, which you can listen to on Spotify. For the first time, I watched a woman be the hero rather than just part of the ensemble (and usually the smallest part at that). And not only was she the most powerful figure on the screen, but her power came from love. She loves the world, and she loves mankind and wants to protect them from war and pain, even if they don't always deserve it. In a world that seems to get meaner with each passing day, seeing a protagonist driven by love matters, and that's why I'm looking forward to watching this one again and again and seeing what the second movie brings.
I want to live on a beautiful island that frees me from the patriarchy and where Robin Wright teaches me how to be a badass. Also, the wildlife! The cow that witnesses Diana's jump across the valley to retrieve her weapons amused me, and I loved the goat watching teenage Diana spar with Antiope, but my favorite were the white peacocks.
One thing I dislike is when writers confuse 'fighting' with 'conflict.' They end up writing shouting matches and physical violence when conflict can be shown in other ways. So when Hippolyta found Diana and Steve before they left the island, I braced myself for something similar. And when it didn't, I knew I was in good hands. Instead of a shouting match or even an actual, physical fight, Hippolyta wants to know if Diana knows what she's getting into and then says, "You have been my greatest love. Today, you are my greatest sorrow." The moment beautifully encapsulates their mother/daughter relationship. Hippolyta knows she can't keep Diana on Themyscira because she's meant for greater things, but she also can't and won't hide her heartbreak at the prospect of losing her.
First of all, Antiope's amazing. I need all kinds of Antiope backstory. I need to know everything about her, especially her years mentoring Diana because we only get a glimpse of it in the film even though it's such a formative relationship. And it's important to depict that relationships between women can be supportive and nurturing.
I wish there had been way more screen time for Etta, but what we got was pretty amazing. She's funny and welcomes Diana immediately, and she delivers the most meta line that takes a shot at a well-worn trope: "Specs. Suddenly she's not the most beautiful woman you've ever seen." This movie is filled with rich little moments, and all of Etta's are completely endearing, especially the one where she just rolls with Diana entrusting her with her sword and shield. I respectfully request of Patty Jenkins a sequel set in the roaring 1920s with Diana and Etta tearing down gender expectations while saving the world.
As far as I'm concerned, this sequence is iconic. It is the bar by which I will judge every superhero movie from now on, and it's made even better by Rupert Gregson-Williams's score, which you can listen to on Spotify. For the first time, I watched a woman be the hero rather than just part of the ensemble (and usually the smallest part at that). And not only was she the most powerful figure on the screen, but her power came from love. She loves the world, and she loves mankind and wants to protect them from war and pain, even if they don't always deserve it. In a world that seems to get meaner with each passing day, seeing a protagonist driven by love matters, and that's why I'm looking forward to watching this one again and again and seeing what the second movie brings.
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