Thursday, October 24, 2019

Announcing PosPop: Positively Pop Culture!

https://open.spotify.com/show/5N6gFJnIGYKVtKkXm0G3ad


My friend and fellow author K.W. Taylor and I have embarked on a new project! PosPop: Positively Pop Culture is a podcast where we talk about the things we love, like music, movies, TV, books, and more.

Click on the picture above to listen to it on Spotify. You can also find it on iTunes, Google Play, or wherever you get your podcasts. If you don't see it on the app you use, let us know and we'll get it there.

New episodes drop every Wednesday!

Be sure to check out more about K.W. at her website and on Twitter, and follow PosPop on Twitter, too.


Monday, September 2, 2019

BOOK REVIEW: Voices: The Final Hours of Joan of Arc, David Elliott

  ★★★★

I found this unexpectedly in a sale at B&N, and I picked it up because I've been interested in Joan of Arc since high school. I'm really glad I did. It was a wonderful reading experience. The language is lovely and the story inspiring, so much so that I had to force myself to slow down so I could savor the read.

Some poems are from Joan's perspective, some are from people she knows like her mother and father, and some are from the perspective of inanimate objects that become important in her life--her sword, her banner, the tower she's confined in, even her hair. It was a really unique way to look at and tell a well-known story.

It's also very visual. Some of the poems are set in designs that resemble the object that's "speaking," like a sword or a crown. Kudos to both the author and the book designer, Sharismar Rodriguez. It really is a beautiful book.

Sunday, June 2, 2019

BOOK REVIEW: The Mists of the Dead, Travis Adkins

★★★★

Travis and I are both indie fantasy authors who, coincidentally, live in the same city. We decided to exchange books, but this review is all my own thoughts.

As I do with all novels nowadays, I'm very much approaching this from a writer's perspective. I think of plot, characters, and world as the major components of speculative fiction, and sometimes, one aspect outshines the others. I tend to be a character-first writer, but there's nothing wrong with any approach. The different approaches are just that--different, and they make for interesting variances. In this case, it feels like Adkins started with his world, which is rich and fully realized, and built from there.

From the characters to the settings, there are lots of good details. But because the world is so fleshed-out and Adkins sometimes stops to explain cool ideas, that means the book gets off to a slightly slow start. We're introduced to the main character, Warrel, in the first scene, but the plot takes a while to get going. Even when Warrel decides to follow Kogliastro the wizard on an adventure, he has loose ends to tie up around town, which means he, Kogliastro, and the third member of their party, the dwarf Gumgen, don't even leave the city until almost a quarter of the way into the book.

There are also a lot of good musings and thoughts packed into the story. One such moment is when Warrel, who grew up orphaned and fighting to survive, is looking for food but his companions are focused on other problems. "Hunger, he knew, was an enemy that could not be outlasted or reasoned or bartered with." There were lots of these small, poignant moments throughout. I very much like little tidbits of wisdom that give insight into the characters like this.

What I liked most, though, is Adkins's insistence on the importance of stories. Warrel is a bard, and he's interested in both stories and language. Once their adventure starts, he bases a lot of his decisions on his knowledge of stories--whether he's the hero or the sidekick, what traditionally happens at certain points in a story. As a writer and avid reader, this was pretty fun to read.

Because I tend to mostly read books with female protagonists, Mists of the Dead probably isn't something I'd pick up on my own. In some ways, the unexpectedness of it made the read more enjoyable in that I didn't have a lot of expectations and was just along for the ride. In other ways, it made it less so. There are really only two non-minor female characters, and they both take a while to appear. What threw me most, though, is that it's very sexualized, more so than books I'm used to reading. The very first scene is Warrel trying to get a girl to sleep with him, and the women are often described as wearing very little clothing. That's definitely a personal thing, but I thought it was worth mentioning.

Overall, I always love finding new, interesting indie fantasy, and Mists of the Dead certainly qualifies. While the world-building pulled me in, the story is what got me invested, and I thought the ending was particularly strong. I'll definitely read more from Travis in the future, and I'd recommend this to readers interested in indie fantasy, high fantasy, zombies, and world-building.

Friday, May 3, 2019

Book Spotlight: Ecosystem Trilogy by Joshua David Bellin


Joshua David Bellin's Ecosystem trilogy is now complete!
Read the synopses below and then head over to Amazon to snag them.
Now through May 6, each book is only $0.99 on Kindle.

In a far distant future, Earth's environment has mutated into the Ecosystem, a collective sentience that has pushed human beings to the brink of extinction. Only those individuals who are born with the psychic power known as the Sense can negotiate the Ecosystem's deadly maze in search of the food, water, and fuel their people need to survive. When Sarah, a seventeen-year-old Sensor with a grudge against the Ecosystem, sets out to avenge her mother's death, she learns more about the Ecosystem--and about herself--than she ever bargained for.

Book One: Ecosystem

Miriam, an apprentice Sensor, is lost in the Ecosystem, and Sarah sets out to rescue her. Joining Sarah is Isaac, a boy who claims to possess knowledge of the Ecosystem that will help their people survive. The harrowing journey to find the missing apprentice takes Sarah and Isaac into the Ecosystem's deadliest places. And it takes Sarah into the unexplored territory of her own heart, where she discovers feelings that threaten to tear her--and her society--apart.

Book Two: The Devouring Land

When Sarah’s village is overrun by monstrous creatures from the Ecosystem, she shepherds the survivors into the forest surrounding the village. Her own Sense badly damaged in an earlier attack, she must fight through a host of new threats in hopes of discovering the place where her mother was born, rumored to be home to a community of healers. But the City of the Queens is haunted by a dark secret of its own, and Sarah will have to learn the truth of her lineage in order to save the people she loves and protect the world she knows.

Book Three: House of Earth, House of Stone

The City of the Queens is under attack. Sarah is forced to flee into the treacherous mountains to the far north, where she hopes to gain allies to contest the power that assails the city. But to wage this final battle, Sarah will have to overcome an ancient curse that threatens not only the survival of her people but the existence of the Ecosystem itself. And she will have to decide whether to save Isaac, the boy she loves, at the cost of losing everything else she holds dear.

Thursday, April 25, 2019

Creativity and Burnout

I want to be this cat.
At the end of March, I released the second book in the Heartfriends series. 127 thousand words are a lot of words no matter what genre they're in, and I put in a lot of work to get them. The smart thing to do after all that writing, editing, and proofreading would be to take a break, wouldn't it?

But I didn't. As soon as the book came out, I was on to the next project, looking into next steps for the press, and planning a way to release multiple books this coming calendar year. For my current work in progress, I signed up for Camp NaNoWriMo with a goal of 30K words. At first, the writing went fine--until it didn't, until nothing I was putting to paper was living up to my own expectations. I realized I didn't have a strong sense of my characters, which is how I like to build stories, and I realized it was because I never gave myself the time to brainstorm. I finally decided that I needed to take a break, a small one to start with. I had a few days off from work recently, so I took those days off from writing, too, in an effort to clear my head a little.

Turns out it's hard to take a break, and even after just four days, I'm chomping at the bit to get writing again when I know I'm not ready to dive in. Taking a break is especially hard in a community that often gives advice, though well-meaning, like, "You have to write every day." Because then when I don't, I start to feel like a loser. And I feel like that even when I make myself try to write because I end up just staring at the screen. If I do manage to get some words down, I know they won't be good. People might say that having something down, even if it's bad, is better than nothing, but sometimes that's just not the case.

The reason those forced words won't be good enough to even revise is because I'm burned out. Maybe creative people are especially prone to burnout anyway, but for indie authors, the pressure to produce is incredibly high and constant. All the advice says the more books we put out, the better they'll sell. The longer our backlist, the better our frontlist does. It's no wonder I want to just go, go, go even when it's clear I'm going nowhere.

This feeling is extra frustrating because I used to have good instincts for where a story should or might go. Now, often, I flounder when it comes to the plot. I don't know how to regain those instincts or what my particular answer to burnout is. But, as with everything in life, we love talking about the good aspects of the job and hiding away the bad. I figure the best way to start finding a solution is to start talking about it. So, fellow writers, do you have preferred methods for dealing with burnout? 

Thursday, March 21, 2019

BOOK REVIEW: Love on Lavender Lane, Karis Walsh

★★★ 1/2

Love on Lavender Lane is about Paige, a consultant who helps businesses improve profit margins, and Kassidy, a lavender farmer whose dad pays for a consultation from Paige. Though Paige is more accustomed to working with bigger companies, she relishes the chance to get away from Portland, work in the countryside for a bit, and get her hands dirty. Kassidy, on the other hand, doesn't exactly care for her estranged father's gift, and she thinks Paige will advise her to sell the farm. Their attraction is pretty immediate, and although I wouldn't categorize it as insta-love, part of me wish they'd spent longer in the almost-rivals stage.

I'd definitely classify this as a soft story. Not a lot big happens, and I'm very okay with that. The characters are the main focus here, and Paige and Kassidy are both lovely. I liked Paige a little more because she was more outgoing and funny, but I connected with Kassidy more because she's more reserved and likes to stay in her comfort zone. They spend a lot of the book learning about each other, and they both deal with past baggage in a believable way. My biggest complaint about that is the black moment was a little too dramatic. I had some trouble following Kassidy's logic there and wish the characters would've talked it out more.

This book also features a loveable dog named Dante, who was my favorite character--hands down! I only wish Kipper the cat had featured a bit more, too, but Dante stole the show. Although it didn't blow me away, this was a pleasant read with an interesting premise and an even lovelier setting.

Thanks to NetGalley, Bold Strokes Books, and Karis Walsh for the e-copy!

Saturday, March 2, 2019

Happy Release Day to WOLF SMOKE


Now available in paperback and e-book from Sky Forest Press
Available on Amazon, Barnes & Noble, and wherever books are sold, or ask your library to purchase a copy

Add it on Goodreads today, and check under the cut for an excerpt