MSFF: Mostly Martha

Mostly Martha is the story of Martha Klein, a successful but headstrong chef who has to take in her eight-year-old niece, Lina, after the unexpected death of Martha’s sister. There’s little room in Martha’s busy lifestyle—and her one-bedroom apartment—for a grieving girl, and she struggles with becoming a parental figure. Enter Mario, who’s hired to keep the kitchen running smoothly. But he’s always late and plays Italian opera while cooking, and Martha’s convinced he wants her job. Of course, Mario’s a good guy who only wants to work with Martha because he admires her, and this is hammered home when he helps get Lina to start eating again after Martha starts bringing her to work.

It’s a lovely little story that manages to lock in on the sadness of the situation as well as the way adversity can actually change someone’s life for the better. As wonderful as the story as a whole was, Martina Gedeck as Martha was easily the best thing about the movie. I was in a terrible class in college where we had to watch Death in Venice, a movie from the ‘70s based on the Thomas Mann novella. It’s a little over two hours long, but I think it contains around forty minutes of dialogue. The rest is filled with music. I actually hated it (I might enjoy it outside of that class, though. Who knows?), but I bring it up because I think a lot of what made Mostly Martha shine was the silences. The dialogue never really rises above average (but that could totally be a translation thing. German is so hard!), but although Mostly Martha relies less on music than Death in Venice, the moments of silence are key to buying into Martha’s growth. From her reactions, it’s easy to see the subtle changes as she goes from self-sufficient career woman to a woman open enough to let a child into her heart.  

It was remade in 2007 as No Reservations, starring Catherine Zeta-Jones and Aaron Eckhart. I haven’t seen the American version in at least three years, but a lot of scenes were very reminiscent of Mostly Martha. Now that I’ve seen the original, I’m curious to rewatch it.

MSFF: Romantics Anonymous

One of the students at work recommended this film, and it did not disappoint. It’s about a chocolate-maker and the owner of a chocolatier who both suffer from crippling shyness. Angélique is a gifted chocolatier, but she faints every time someone asks her a question about her creations, and she masquerades as a chocolate-making hermit to avoid such situations. She attends support-group meetings (which I think translated more to ‘emotional’ rather than ‘romantic’), and sings “I Have Confidence” from The Sound of Music to psych herself up and celebrate when she conquers her fears. Jean-René brings a briefcase full of extra shirts to dinners in case he needs to change them (which he does), and his therapist gives him homework along the lines of “shake hands with someone” and “invite someone to dinner.”

When Angélique goes to work for Jean-René as a saleswoman, a story that is both uncomfortable and cute unfolds. Though they’re well-suited, they can’t talk to one another long enough to figure it out. Even the almost-date they share is incredibly awkward and pretty disastrous, but it’s their push to save Jean-René’s family chocolatier that allows them to bring out the best in each other.

It’s a rom-com that doesn’t always follow typical conventions (or maybe it follows French film conventions) but makes good use of its quirkiness and sweetness. So while I appreciate Inch’Allah for its serious examination of one woman’s struggle to find a place within a very large world, Romantics Anonymous zooms in on two people who only needed to find each other, providing an entertaining evening in the process.

My Summer of Foreign Film: Inch'Allah

I like watching movies. A lot. But to make myself feel less like a couch potato, I try to do something productive while watching them—knitting, exercising, writing letters. Because my attention isn’t always on the screen, I don’t watch foreign films as often as I’d like. However, I’m falling into a new habit. Half an hour before I want to go to sleep, I’ll climb into bed and watch part of a movie on my iPad. Maybe it’s because of this—watching with all the lights out, earbuds in, and just the glow of the small screen—that I enjoy foreign films as much as I do.

A few nights ago, I watched Inch’Allah from writer/director Anaïs Barbeau-Lavalette. It centers on Chloé, a Canadian doctor working in a clinic in Ramallah but living in Jerusalem. To get to work and back, she must pass a checkpoint, usually manned by her neighbor, Ava. And then there’s Rand, one of Chloé’s patients who is expecting a child while her husband sits in prison. The story is about these woman—one within the walls, one without, one who can go between—and the friendships they form in the midst of struggle.

It reminded me a bit of my time in the Peace Corps—preteen boys yelling at you while you walk down the street, hospitality that is simultaneously gracious and strained, the spark to act without anyone to tell you how. I say ‘a bit’ because hey, my situation wasn’t as volatile and medicine is considerably more important than TEFL teaching.

As we watch events unfold through Chloé’s eyes, her increasing sense of futility is evident and quite sad. She can do all she can to help—help Rand deliver a healthy baby, help Ava feel like a normal girl instead of a soldier* by going out to a dance club, help Rand’s family by taking them to their old home–but will it even make a dent? There are a lot of close-up shots that show the full brunt of Chloé’s reactions and emotions. But it’s not her story, exactly. It’s everyone’s, and I think that’s what makes it such a poignant film.

Watching Inch’Allah made me realize how much I miss conversing in other languages. My area offers little opportunity to use the Russian I learned in Kazakhstan, which means I’ve lost a lot of it (although a friend of a friend might be available to tutor me soon!). So, I’ve decided to broaden my horizons by making this My Summer of Foreign Film. I’m shooting for fifteen films over the course of the summer. Next up is Romantics Anonymous.

*Ava might not actually be a soldier. I’m a little fuzzy on that. I should reread my history textbooks from college!

What I'm Listening To: 05/02/14

In the car: The Name of the Wind audiobook, by Patrick Rothfuss

 

I'm on CD 7 out of 23. Not sure if I like it yet, mostly because of the main character, but at least it will keep me busy for a good while. One of my friends at work insisted I read it, so I'm betting it gets better.

For fun: Lights Out, by Ingrid Michaelson
Favorite tracks: "Home" and "Time Machine"

Ingrid Michaelson and Sara Bareilles are probably the only two constants in my music collection. As long as they keep alternating years for releasing albums, I'll be a happy listener.

While writing: SyFy's Defiance soundtrack
Favorite track: "Ooh Child"

This soundtrack's a bit all over the place--futuristic rock music, sweeping score cues, '80s covers--but I love it.

Movie Review: Divergent

I read Veronica Roth's Divergent about two years ago when I didn't have much to do except read and when I was still jonesing for another Hunger Games-like story. I didn't find that exactly, but I did find a few hours of solid entertainment. I finally saw the movie adaptation this weekend and was pretty impressed. The film features some beautiful shots, especially at the beginning. I'm not sure if the first half was noticeable because it represented a shift from peace to chaos or if I just stopped noticing the cinematography. The ending has to set up the next two films/books and, consequently, leaves everything open, but I'd be happy with the ending if there were no remaining story to carry it forward. Tris has lost her parents, but she's gained a sense of self, kick-butt fighting skills, and a touchstone in Four. Even with the city in chaos, she's lived to fight another day, and there's no doubt that's what she'll do.

The film's biggest strength is Tris. Even familiar with the book and knowing what was going to happen at every step of the journey, I found myself worried for her. Will she choose Abnegation? Is she going to make the train jump on her first day in Dauntless? Is she finally going to win a fight? A little of that had to do with the score, which is pulsing and percussion-heavy, but a lot had to do with Shailene Woodley, who imbues Tris with a sense that she's just trying to stay on her feet in a world that's more than a little messed up.

And, I think, heroines like Tris are important in YA literature. She works hard to get better at the things she's not good at. She's searching for a place in the world but ultimately accepts she can't be hemmed in by the status quo. And she's brave even through her fear.Plus, her pants are the bomb.


However, it wasn't a total home run for me. There was so much violence (although none of it graphic) that it almost became meaningless by the end of the film. The climax involves lots of gunfire and hand-to-hand combat, but because all of the heavy consequences come in quick succession and much too close to the end, there's no time to dwell on them and render them important. Hopefully, they'll be dealt with in the rest of the series.

And then there's the whole mind-control thing. It was set-up well enough with the serums used for the faction tests and the fear landscapes, but I still didn't like it. I'd much rather see Erudite use manipulation and indoctrination over mind control, but that would drastically alter the storyline, which doesn't make a whole lot of sense, actually. But I'm willing to suspend my disbelief and gloss over that because it's such an entertaining ride.

When It Rains, I Let It

I'm going to be writing a short article for the event booklet at the Pennsylvania Literary Festival (http://palitfest.com--May 30th through June 1st) about how my Peace Corps service influenced my writing. While looking for inspiration, I found this article I wrote for my high school newsletter last fall. In the interest of posting on this blog more regularly, I thought I'd share it here.

Borovoe, July 2011

Whenever I mention I spent time in the Peace Corps in Kazakhstan, someone inevitably makes a Borat joke or asks, “Where’s Kazakhstan again?” Even though it’s sometimes challenging to explain why I made the decision to go or what my time there was like, I love talking about it. I chose to serve in order to help others and learn more about the world, but I also ended up experiencing some strange and amazing things and learning more about myself.

Peace Corps service consists of approximately three months of language and technical training followed by twenty-four months of individual service. My group of volunteers, the 23^rd in Kazakhstan and known as the 23s, was placed in the program for teaching English as a second language. For training, I lived with a host family in Ecik, a moderately sized town about an hour away from Almaty, the country’s largest city. In addition to cultural classes, teacher training, and language classes, we were treated to a school play by the elementary students, went to the Golden Man museum, and learned how to haggle at the bazaar, which I never quite got the hang of. We also had the opportunity to explore Almaty, including Ascension Cathedral, a Russian Orthodox cathedral in Panfilov Park, and Medeo, the highest-elevated ice-skating rink in the world, which can be reached by climbing over 700 steps (also by car, but that’s not too adventurous). Peace Corps service offers countless new and interesting opportunities, and I learned quickly that it’s up to volunteers to make the most of them.

We were lucky to arrive in the country only a few weeks before Nauryz, Kazakh New Year, and experience our host town’s celebration. Men and women dress in traditional outfits. They play a lot of music, both English and local pop music as well as traditional, which often utilizes the dombra, a two-stringed instrument akin to the lute. There are yurts to dine in and lots and lots of food. The national dish is called beshbarmark: noodles, meat (often horse, but beef, pork, or chicken, too), potatoes, and onions. They also have a mouthwatering dessert called baursaki, which are, simply, fried dough. Delicious fried dough. This past March, I made these, along with plov, which is rice with boiled meat and carrots, and cucumber-and-tomato salad for my family members to introduce them to Kazakh food. The good thing is that it’s generally easy to make; the bad thing is that recipes are somewhat difficult to find. However, it’s possible to find a few on recipe websites. If you’re intrigued and are looking for something new to eat, I would suggest plov, samsas (croissant-like pastries filled with cheese, meat, potatoes, etc.), or piroshky (fried buns filled with meat, potatoes, cabbage, etc.). As you can imagine, the meat-and-potatoes theme can get tiresome, especially as spices are generally not used. My babushka even used to tease me because I always brought salt to the table to give dinner a little more flavor.

Our country director was fond of telling us that our greatest asset in living in Kazakhstan would be flexibility, and we found out how right he was when we began teaching. English language classes are required in all schools, and some schools start English classes as early as second grade. I taught in secondary school, which is fifth grade through eleventh (there is no twelfth). The goal of the Peace Corps is not to take over jobs, but to assist country nationals in the learning and imposition of new tools. We worked with counterpart teachers and practiced a method called team teaching. Language education there heavily relies on memorization and translation, and our main goal was to practice different approaches to teaching within the classroom and to introduce our counterparts to these methods so that they could continue after we left. These included games, total physical response, group activities, the use of music and other activities, and an emphasis on speaking and listening rather than rote memorization.

Working with new coworkers was a challenge in itself, but limited language often contributed to that, and we even occasionally ran into resistance to try new methods. The school schedule was a trial in and of itself, as it would not be set until late fall. Every afternoon, I had to check which classes I’d be teaching the next day. This meant that instead of spending the weekend on lesson plans, I had to complete them the night before. Difficulties that came with living and teaching in a small village added to the confusion. My village was very close to two others, and the three often assisted one another. Much to my surprise, such cooperation involved my students traveling by bus to the next village over to help with the potato harvest. I walked into the classroom one afternoon after lunch and found no students. It happened the next day, and again and again, and my counterpart couldn’t tell me when the potato picking would be done. Add in a six-day school week (students go to school on Saturdays), and it becomes exhausting in more ways than one, though also rewarding. The students were always very receptive to new games and activities, although they sometimes would like one so much that they refused to go on to the next. During the summer, I assisted at my school’s camp, which was conducted mostly in Russian. I had an afternoon English class with the kids, and once I introduced them to Duck, Duck, Goose, it was impossible for a day to go by without playing it.

In addition to professional growing pains, personal ones came with the territory of living in a new country with new people and conversing in a new language. Every Peace Corps Volunteer experiences and expects trials. At about one million square miles (roughly four times the size of Texas and the ninth largest country in the world), Kazakhstan is a very large country. My first village, which boasted a population of about 1,000 people, was only an hour’s bus ride away from the capital city, Astana, but difficult transportation conditions prevented me from visiting or being visited by nearby volunteers. Being present in the community helped with integration, but going months without seeing friends or having a conversation in English that isn’t about school or the weather was isolating. On the days when lessons went poorly and one more word of Russian threatened to send your head spinning, chocolate and text-message jokes from fellow volunteers were the only things that kept us going.

Yet there were also rewards. The most satisfying was hearing a student’s ambitions to learn better English in order to go to university and even study abroad one day. As we learned as we went along, the Peace Corps is not about changing the lives of your whole village or about altering the entire educational system. It’s about changing one life, in our case, by teaching a student the communication tools they’ll need in the future. And once we saw the good ripples we created in one life, it was that much easier to keep trying.

As you can tell, Peace Corps service is filled with many challenges. However, one of the best aspects of the Peace Corps is the friendships you form, both with fellow volunteers and host country nationals. It was easy to be charmed by the students, who welcomed a new face in town and tried their hardest to impress you with their language skills. The more language we learned, the easier it was to converse with people of all ages, which led to some really great experiences. I lived in a boarding house where I met an older woman who would sit outside with me after school and tell me about her life. And once, when three fellow volunteers and I got lost on a short hiking expedition, a Kazakh man gave us directions and showed us the correct path. Above all, being thrown into a new country with fifty other strangers makes befriending them remarkably easy, and friendships made during new, scary experiences are friendships that last.

The Peace Corps often advertises itself as “the toughest job you’ll ever love.” Before I became a volunteer, even while I was planning to, that tagline always struck me as silly. Now, I believe it. Despite the hardships, or perhaps because of them, I carry good memories of my time in Kazakhstan, of the people I met and the unique experiences. I played in a basketball tournament with my village, held an eagle, learned a new language, ate horse meat, learned a few songs on the dombra, and made friends to last for a lifetime. Looking back, I also remember a valuable lesson that our Peace Corps Medical Officer taught us. A week or two into training, he tried to put us at ease by telling us a story about a very old man. He was so old that people often asked him the secret of his longevity. He would reply, “When it rains, I let it.” The lesson was simple—to take life as it comes, one day at a time, and, in the words of the Peace Corps, to be flexible. And when people ask me about my experience, that’s exactly what I tell them—I learned to let it rain.

COVER: The Man Who Loved Alien Landscapes by Albert Wendland

PRE-ORDER YOUR COPY TODAY!

A science fiction novel that begins as a murder mystery and is taken over by an interstellar treasure hunt.

What could draw poet, explorer, loner and paranoid Mykol Ranglen away from the relative peace of his own ring-in-space habitat?
He has no choice in the matter as one by one acquaintances are murdered or disappear altogether. Propelled by ever changing and deepening mysteries Mykol embarks to uncover secrets which could make people rich beyond their wildest dreams…or tear apart human civilization.

The escalating quest takes him through worlds of many dangerous extremes, leading him to confront the deadly alien Fist of Thorns, extinct species refusing to give up their power over the future, and those racing against him to uncover the secret first. But in the course of his pursuit, he must also face his own secrets. And some of these are even more dangerous.

The Man Who Loved Alien Landscapes by Albert Wendland

Cover Art by Bradley Sharp

Foreword by William H. Keith

Space Opera Paperback coming from Dog Star Books in June 2014

~~~

What They’re Saying About The Man Who Loved Alien Landscapes
"Mystery, heart-pounding adventure, and the dazzling wonders of far-flung space play significant roles in Wendland's breakout novel, all while gifting us with a mesmerizing tour of alien landscapes destined to get under your skin and remind you of the very reason science fiction exists: Not to escape to other worlds, but to find ourselves within them."
--Diana Dru Botsford, author of THE DRIFT and FOUR DRAGONS

Inside are alien worlds and titanic space habitats and a brilliant and paranoid hero, all skillfully blended together with long-vanished galactic secrets. Science fiction… good science fiction, by a college professor of literature who loves good SF."
--From the foreword by William H. Keith, New York Times Bestselling Science Fiction Author